Competition Commission v Primedia Limited and Another (CR191Mar12) [2018] ZACT 11; [2018] 1 CPLR 144 (CT) (5 February 2018)

80 Reportability
Competition Law

Brief Summary

Competition — Market allocation — Allegation of contravention of section 4(1)(b)(ii) of the Competition Act — Competition Commission alleged that Ster-Kinekor and Nu Metro agreed to divide film genres at the V&A Waterfront, limiting competition — Ster-Kinekor contended that the settlement agreement was a vertical arrangement and did not contravene the Act — Tribunal found that the agreement constituted a horizontal market allocation, thus contravening section 4(1)(b)(ii) of the Competition Act.

Comprehensive Summary

Summary of Judgment


Introduction


This decision of the Competition Tribunal of South Africa concerned a complaint referral by the Competition Commission alleging a contravention of the cartel prohibition in section 4(1)(b)(ii) of the Competition Act 89 of 1998. The proceedings were adjudicative in nature and arose from the Commission’s investigation into arrangements regulating film exhibition at the Victoria & Alfred Waterfront shopping complex in Cape Town.


The Competition Commission was the applicant. The first respondent was Primedia Limited (treated in the reasons as the corporate owner of the Ster-Kinekor cinema exhibition business at the relevant time), and the second respondent was Avusa Limited (associated with the Nu Metro cinema business). Although the Commission alleged that the arrangement implicated both Ster-Kinekor and Nu Metro, it sought no relief against Nu Metro because the Commission had granted Nu Metro conditional immunity under the Corporate Leniency Policy following a leniency application.


The matter had a substantial procedural history preceding the competition proceedings. The relevant arrangement originated in 1998 as a settlement agreement resolving High Court litigation between Nu Metro and the V&A’s landlord, with Ster-Kinekor cited as an interested party. That settlement was made an order of the High Court on 29 September 1998, which was before section 4 of the Competition Act came into force on 1 September 1999. The Commission initiated a complaint in May 2009, granted Nu Metro conditional immunity, and ultimately referred the complaint to the Tribunal on 14 March 2012.


The general subject-matter of the dispute was whether a 1998 arrangement, which delineated which cinema operator would exhibit “art films” and which would exhibit “commercial films” at the V&A, amounted to a horizontal market allocation (division of markets by film genre) prohibited by section 4(1)(b)(ii), and—critically—whether there was sufficient evidence of implementation or consensual conduct after the Competition Act came into operation.


Material Facts


During April 1992, Nu Metro began operating cinemas at the V&A under a long-term lease. In 1997, Nu Metro learned that the landlord was negotiating with Ster-Kinekor for premises at the V&A to operate an “art cinema complex”. Nu Metro objected, asserting an oral right of first refusal in respect of additional theatres, and instituted High Court proceedings in October 1997 against the landlord (with Ster-Kinekor cited as an interested party, but with no relief sought against it).


On 11 May 1998, the High Court dispute was settled. The settlement’s operative commercial effect, as recorded by the Tribunal, was that Ster-Kinekor would exhibit only “art films” at the V&A and Nu Metro would exhibit only “commercial films” at the V&A. The settlement included mechanisms and criteria for distinguishing art/non-commercial films from commercial films, including reference to subtitled foreign-language films, limited release English/Afrikaans films, and films classified by Movieline Magazine as “art films”. The settlement further contemplated that the landlord, Ster-Kinekor, and Nu Metro would give effect to the arrangement through their respective lease agreements. The settlement was made an order of the High Court on 29 September 1998.


A material undisputed contextual fact was that section 4 of the Competition Act commenced on 1 September 1999, after the settlement agreement and court order had been concluded and made.


The Tribunal recorded corporate restructuring and succession facts relevant to the respondents’ identity and potential liability. The Ster-Kinekor business changed corporate ownership within the Primedia group over time. It was common cause that Primedia purchased the assets and liabilities of the Ster-Kinekor business in September 2007, and that on 21 January 2011, Primedia, Ster-Kinekor and the landlord concluded an agreement in terms of which Primedia succeeded to the old Ster-Kinekor’s rights and obligations under the lease with the landlord.


The key post-Act factual dispute (and the one on which the Tribunal ultimately decided the case) was whether Ster-Kinekor and Nu Metro implemented the 1998 settlement arrangement after the Competition Act came into operation. The Commission’s case depended on showing continuing conduct directed at giving effect to the settlement after 1 September 1999. Ster-Kinekor’s evidence and argument, by contrast, was that the settlement was not implemented after the Act commenced, and that Ster-Kinekor’s programming at the V&A was driven by its own “art nouveau” business model rather than by any collusive arrangement.


In relation to implementation, the Tribunal placed weight on evidence that when Nu Metro sought to raise the settlement’s restrictions in December 2008 (in relation to specified film titles), relevant employees at Ster-Kinekor Distribution indicated they had no knowledge of any such settlement agreement. The Tribunal also noted evidence that Ster-Kinekor screened numerous “cross-over” or overlapping titles at the V&A over time in a manner inconsistent with strict adherence to the settlement’s restrictions, including instances where the same films were screened by both cinema houses at the V&A.


Legal Issues


The central legal question was whether the Commission proved a contravention of section 4(1)(b)(ii), which prohibits agreements or concerted practices between competitors involving market division, including division by allocating customers, suppliers, territories, or (as alleged here) by genre of film to be exhibited at a particular location.


Because the settlement agreement pre-dated the commencement of section 4, a further decisive legal issue was whether, after 1 September 1999, there were actions or discussions between the parties directed at implementing the arrangement such that an “agreement” (as contemplated by section 4) could be established in the post-commencement period. This issue involved a mixed enquiry of application of law to fact: the Tribunal had to apply the legal meaning of “agreement” in section 4 to the evidentiary record concerning the parties’ subsequent conduct.


Additional issues were raised by Ster-Kinekor but were not determined because they became unnecessary in light of the Tribunal’s dispositive finding on implementation. These included whether the settlement should properly be characterised as a settlement of disputes in two vertical relationships (tenant–landlord lease arrangements) rather than a horizontal agreement between competitors; whether the Tribunal could grant relief against the “new” Primedia as opposed to predecessors (including issues framed as economic successor liability); and whether the arrangement was insufficiently “egregious” to fall within section 4(1)(b). The Tribunal expressly treated these as moot once it concluded the Commission failed on implementation.


Court’s Reasoning


The Tribunal’s reasoning proceeded from the temporal point that the settlement agreement and High Court order were concluded before section 4 of the Competition Act came into force. On that basis, the Tribunal held that a contravention of section 4(1)(b)(ii) could only be established if the evidence showed post-commencement consensual conduct—described as “actions or discussions” directed at implementing the settlement after the Act’s commencement. In articulating this approach, the Tribunal referred to authority on the meaning of “agreement” in section 4, specifically relying on Netstar (Pty) v Competition Commission (97/CAC/May10).


Against that legal yardstick, the Tribunal assessed the evidence led on implementation. It considered the Commission’s witnesses, particularly evidence that the settlement negotiations in early 1998 involved Nu Metro and Ster-Kinekor representatives (without landlord representatives present) and that, according to a former Nu Metro executive, Ster-Kinekor “fully complied” up to 2001. However, the Tribunal treated the probative value of that testimony as limited because the witness conceded under cross-examination that he did not personally monitor compliance and therefore lacked personal knowledge of whether Ster-Kinekor adhered to the settlement’s restrictions.


The Tribunal attached significance to the fact that Ster-Kinekor’s exhibition of “art films” at the V&A could be explained by Ster-Kinekor’s independent business strategy, described as an “art nouveau” model, rather than by compliance with a collusive settlement. It reasoned that the mere circumstance that Ster-Kinekor screened art films was not, without more, proof of implementation of a restrictive agreement. The Tribunal illustrated this evidentiary point by drawing on an analogy previously used in appellate authority to caution against drawing strong inferences from conduct that can be explained consistently with lawful behaviour.


The Tribunal also examined evidence from Nu Metro’s content and marketing executive (who testified that he was responsible for monitoring implementation and that he had enforced the settlement “multiple occasions”). The Tribunal accepted that, under cross-examination, this witness conceded that Nu Metro had tried to invoke the settlement only once, namely in December 2008, which the Tribunal characterised as an important contradiction of the earlier claim of repeated enforcement. This concession undermined the Commission’s theory of sustained monitoring and compliance over many years.


A further element of the Tribunal’s evaluation concerned the testimony of Ster-Kinekor Distribution personnel, including the CEO of distribution and a sales executive, who stated they were unaware of the settlement agreement until it was raised by Nu Metro in December 2008. The Tribunal treated their evidence as corroborated by contemporaneous email correspondence in which Ster-Kinekor personnel requested a copy of the agreement because they did not know of it. On the Tribunal’s account, when the settlement was raised, Ster-Kinekor allowed Nu Metro to screen certain films at the V&A, but also allowed Ster-Kinekor to screen those same films at the V&A, conduct which was inconsistent with strict implementation of the settlement’s restrictions.


The Tribunal considered, and was not persuaded by, the Commission’s submission that the instances of non-compliance were merely “cheating” of the kind common in cartel conduct. It reasoned that this characterisation was difficult to sustain given the number and nature of apparent breaches that went unchallenged and the weakness in the evidence that Nu Metro consistently monitored and enforced compliance. The Tribunal accordingly concluded that the factual record did not support a finding of continuing post-Act conduct implementing the 1998 market-division arrangement.


Having found insufficient evidence of post-commencement implementation, the Tribunal concluded that the Commission failed to prove a contravention of section 4(1)(b)(ii). It expressly held that, in light of that finding, it would be academic to decide whether section 4(1)(b)(ii) was legally applicable on the Commission’s preferred characterisation, and it was similarly unnecessary to decide the other defences (including the competence to grant relief against the “new” Primedia).


Outcome and Relief


The Tribunal dismissed the Commission’s complaint referral under case number CR191Mar12.


No administrative penalty or declaratory relief was granted. The Tribunal made no order as to costs.


Cases Cited


Competition Commission v South African Breweries (Case No. 129/CAC/Apr14).


Netstar (Pty) v Competition Commission (97/CAC/May10).


Afrisure CC and Another v Watson NO and Another 2009 (2) SA 127 (SCA).


Lawson & Kirk v South African Discount and Acceptance Corporation (Pty) Ltd 1938 CPD 273.


Hoechst v Commission (T-161/05) [2009] E.C.R.


Enichem v Commission (T-6/89) [1991] E.C.R. II-1694.


Competition Commission v Delatoy Investments (Pty) Ltd and Others (CR212Feb15).


Legislation Cited


Competition Act 89 of 1998, section 4(1)(b)(ii).


Competition Act 89 of 1998, section 65(1).


Rules of Court Cited


No rules of court were cited in the Tribunal’s reasons.


Held


The Tribunal held that because the relevant settlement agreement and High Court order were concluded before section 4 of the Competition Act came into force, a contravention of section 4(1)(b)(ii) could only be established if the Commission proved post-commencement conduct amounting to actions or discussions directed at implementing the arrangement after 1 September 1999.


On the evidence, the Tribunal found that the Commission did not prove such implementation. The evidence suggested that Ster-Kinekor’s film programming at the V&A could be explained by its independent “art nouveau” business model, that Nu Metro invoked the settlement restrictions only once (in December 2008), and that relevant Ster-Kinekor personnel were unaware of the agreement until that time. Accordingly, the Tribunal found insufficient evidence of a prohibited agreement or its implementation in the post-commencement period and dismissed the complaint referral.


LEGAL PRINCIPLES


An agreement concluded before the commencement of section 4 of the Competition Act does not, without more, establish a contravention of section 4(1)(b)(ii) after commencement; the Commission must prove post-commencement conduct evidencing an “agreement” in the statutory sense, including conduct directed at implementing the restrictive arrangement after the Act came into force.


In determining whether an “agreement” exists for purposes of section 4, the Tribunal applied the approach reflected in Netstar (Pty) v Competition Commission (97/CAC/May10), treating the existence of an agreement as requiring proof grounded in subsequent conduct or communications consistent with a meeting of minds, rather than inference from behaviour that can be explained by independent commercial strategy.


Where conduct relied upon to infer implementation is equally consistent with a firm’s unilateral business model or strategy, that conduct does not, on its own, justify an inference that the firm implemented a prohibited market-allocation agreement; the evidentiary burden remains on the Commission to prove implementation (or continuing consensus) after the Competition Act became operative.

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Competition Commission v Primedia Limited and Another (CR191Mar12) [2018] ZACT 11; [2018] 1 CPLR 144 (CT) (5 February 2018)

COMPETITION
TRIBUNAL OF SOUTH AFRICA
Case
No: CR191Mar12
In
the matter between:
THE COMPETITION
COMMISSION

Applicant
and
PRIMEDIA
LIMITED

First Respondent
AVUSA
LIMITED

Second Respondent
Panel:

Anton Roskam (Presiding Member)
lmraan Valodia (Tribunal Member)
Enver Daniels (Tribunal Member)
Heard
on

: 8, 9 and 26 May 2017
Order issued on
: 5 February 2018
Reasons issued on
: 5 February 2018
DECISION
AND ORDER
Introduction
[1]
In
this matter, the Competition Commission ("the Commission")
alleges that Ster­ Kinekor
[1]
and Nu Metro
[2]
contravened section 4(1)(b)(ii) of the Competition Act, because they
agreed to divide markets by limiting the genre of film that
each
theatre could exhibit at the Victoria & Alfred Waterfront
shopping complex ("V&A") in Cape Town. The complaint

was referred after the Commission's investigation, which was prompted
by an application for leniency by Avusa Ltd.
Background
[2]
The
history of the corporate owners of the Ster-Kinekor business is
complex. Originally, Ster-Kinekor Films (Pty) Ltd, which later

changed its name to Ster­ Kinekor (Pty) Ltd, owned the
Ster-Kinekor business ("the old Ster-Kinekor"). Primedia
Ltd ("the old Primedia"), a public company listed on the
Johannesburg Stock Exchange, then bought Ster-Kinekor (Pty) Ltd
and
it became a subsidiary of Primedia Ltd. But then, the Primedia group
of businesses was restructured in .... In this restructuring,
New
Primedia (Pty) Ltd, which later changed its name to Primedia (Pty)
Ltd ("the new Primedia"), purchased the businesses
of all
the companies owned by the old Primedia. This included the
Ster-Kinekor business. Ster-Kinekor ("the new Ster-Kinekor'')

then became a division of the new Primedia. Where these distinctions
are not relevant, we simply refer to Nu Metro and Ster-Kinekor.
[3]
Nu
Metro and Ster-Kinekor are the two leading competitors in the film
exhibition market in South Africa. Nu Metro showcases all
the
existing new cinematic products on the big screen and operates about
24 cinema multiplexes across the country with 196 screens.

Ster-Kinekor is the largest exhibitor in South Africa with about 48
cinemas nationwide, with over 400 screens.
[4]
From
April 1992, Nu Metro operated 11 cinemas at the V&A under a
15-year lease agreement with two five-year renewal options.
[3]
The cinemas showed what is referred to as "commercial films".
[5]
In
1997, Nu Metro discovered that the Landlord was in the process of
negotiating a lease agreement with the old Ster-Kinekor wherein

Ster-Kinekor would occupy premises at the V&A to operate an "art
cinema complex". Nu Metro objected. It alleged that
it had an
oral agreement with the Landlord in terms of which it had the right
of first refusal if additional theatres were developed
at the V&A.
When the objection was not heeded, Nu Metro instituted legal
proceedings against the Landlord in the High Court.
The action was
launched in October 1997. The old Ster-Kinekor was cited as an
interested party, but no relief was sought against
it.
[6]
On
11 May 1998, the matter was settled. The terms of the settlement
agreement were that Nu Metro agreed to withdraw its objection
to
Ster-Kinekor's entry to the V&A on the following basis:
Ster-Kinekor undertook to exhibit only "art films" and
Nu
Metro agreed to exhibit only "commercial films" at the V&A.
Before the settlement agreement was concluded, representatives
of the
old Ster-Kinekor and Nu Metro met to determine how art and commercial
firms would be determined. The relevant terms of the
settlement
agreement are as follows:
"2 A1. Ster-Kinekor shall not
show any films identified in the industry as commercial films.
Without limiting the definition
of what constitutes a non­
commercial film, the parties agree that for purposes of this
agreement inter-alia the following
categories of film shall be agreed
not to be commercial films:
A1.1    sub-titled
foreign language films (other than English and Afrikaans);
A1.2   English or
Afrikaans language films scheduled for 'limited release' (as
generally accepted in the film industry
from time to time­
currently 7 prints) on the South African exhibition circuit;
A1.3   Any film that is
classified by Movieline Magazine as an "art film".
A2.    Should
a particular film be shown at either (or both) the Rosebank Mall
and/or Cavendish Square Cinema
Nouveau complexes, then, provided that
it is not a commercial film, Ster-Kinekor shall be entitled to show
this film at the V &
A Cinema Nouveau;
A3.    In the
event that a commercial film is shown at either (or both) the
Rosebank Mall and/or Cavendish Square
Cinema Nouveau complexes, then
notwithstanding this fact, Ster-Kinekor shall not be entitled to show
this film at the V & A
Cinema Nouveau complex and this commercial
film will be shown by Nu Metro in one or more of its theatres at the
V & A Waterfront.
A4.    Nu
Metro undertakes not to show, in its V&A Waterfront cinemas, any
films of the genre reserved to
Ster Kinekor as described under 2
above, unless Ster Kinekor has elected not to show it at its Cinema
Nouveau complex in the V&A
Waterfront."
[7]
In
terms of the settlement, the Landlord, Ster-Kinekor and Nu Metro
agreed to give effect to this arrangement in their respective
lease
agreements. On 29 September 1998, the settlement agreement was made
an order of the High Court. This was before the commencement
of
section 4 of the Competition Act.
[4]
[8]
Primedia
purchased the assets and liabilities of Ster-Kinekor's business in
September 2007. (One of the issues in dispute in this
matter was
whether the old Ster-Kinekor's rights and obligations under its lease
with the Landlord was transferred to Primedia.)
[9]
In
December 2008, a Nu Metro employee alerted employees of the new Ster­
Kinekor to a breach of the settlement agreement regarding
the
intended exhibition of certain films by Ster-Kinekor at the V&A.
Nu Metro alleged that new Ster-Kinekor was to show films
that were
defined as commercial films in terms of the settlement agreement. The
new Ster-Kinekor employees stated that they had
no knowledge of any
settlement agreement entered into between the old Ster-Kinekor and Nu
Metro.
[10]     In
late January 2009, and upon external legal advice, Nu Metro abandoned
the settlement agreement and
applied for leniency in terms of the
Commission's Corporate Leniency Policy. Nu Metro was also advised to
cease any communication
with Ster-Kinekor pertaining to the
settlement agreement.
[11]
The
Commission then initiated its complaint in May 2009. It granted Nu
Metro conditional immunity. In October 2009, the Commission
informed
the new Primedia of its complaint against it and Nu Metro. Primedia
responded on 7 December 2009 and advised that itdidnot
believe that
it acted unlawfully in terms of the settlement agreement, as it was
simply abiding by an order of the High Court.
[12]
On
31 August 2010 the new Primedia approached Avusa in an attempt to
agree to the abandonment or rescission of the court order.
Avusa
responded on 5 October 2010 that it was too premature to take such
steps as the Competition Act stipulates that a provision
of an
agreement can only be nullified upon a declaration by the Competition
Tribunal ("the Tribunal") or Competition
Appeal Court.
[5]
[13]
On
21 January 2011, Primedia, Ster-Kinekor and the Landlord entered into
an agreement wherein Primedia succeeded to the old Ster-Kinekor's

rights and obligations under its lease with the Landlord.
[14]
On
14 March 2012, the Commission referred the complaint to the Tribunal.
The Commission's Complaint
[15]
In
its referral, the Commission alleged that Ster-Kinekor and Nu Metro,
being parties in a horizontal relationship in the market
for the
exhibition of films at the V&A, engaged in a market allocation
agreement limiting the genre of film each was entitled
to exhibit at
the V&A. This conduct, which it alleged commenced in 1998,
stipulated that Ster-Kinekor would not exhibit at
the V&A any
films identified in the industry as "commercial films" and
Nu Metro would not exhibit at the V&A
any films identified in the
industry as "art films". The Commission sought no relief
against Nu Metro, as it had granted
it conditional immunity.
Ster-Kinekor's
Defences
[16]
Ster-Kinekor raised three defences. The
first was that a proper characterisation of the settlement agreement
was that it was a settlement
of a dispute involving two vertical
relationships, the one between Nu Metro and the Landlord and the
other between Ster-Kinekor
and the Landlord. This is because the
settlement agreement culminated in an amendment to the lease
agreements between the Landlord
and Ster-Kinekor and the Landlord and
Nu Metro regarding the nature of the films that each cinema house
could show. It is the leases
that imposed the restrictions.
Therefore, the agreements that divided markets were the vertical
lease agreements with the Landlord.
[17]
The
Commission submitted that the settlement agreement contained a
restraint that prevented Nu Metro and Ster-Kinekor from competing

with each other in the different film genres; namely, "commercial"
and "art" films as determined in the settlement
agreement.
[18]
Although Ster-Kinekor's other defences
assumed that section 4(1)(b)(ii) of the Competition Act applied,
Ster-Kinekor nonetheless
contested that it had contravened the Act.
[19]
The
second defence was that it was not competent for the Tribunal to
grant relief against new Primedia because even if its predecessors

had contravened section 4(1)(b)(ii), it had not done so. Ster-Kinekor
argued that new Primedia only purchased the business of Ster-Kinekor

in 2007 and it only succeeded Ster­ Kinekor as tenant in 2012,
which was long after both parties had abandoned the settlement

agreement.
[20]
The
Commission argued that new Primedia was liable by virtue of it being
the economic successor of the Ster-Kinekor business.
[6]
[21]
Ster-Kinekor's
third defence was that Ster-Kinekor had never implemented the
settlement agreement at any time after the Competition
Act had come
into force. This was the subject-matter of much of the evidence led
at the hearing.
[22]
The
Commission submitted that since 1998, when the settlement agreement
was concluded, until the date that the parties abandoned
it, both
parties had abided by the terms of the settlement agreement.
Therefore, the Commission argued that Nu Metro and Ster-Kinekor,

being parties in a horizontal relationship, contravened section
4(1)(b)(ii) of the Competition Act.
[23]
Ster-Kinekor
also argued that the settlement agreement was not egregious; and
therefore, could not be characterised as a section
4(1)(b)
contravention. This contention was advanced on the following basis:
(a) An agreement that constitutes a section 4(1)(b)
contravention is
per se
prohibited
- a firm that has contravened this section is not entitled to show
that the agreement did not have anti-competitive effects.
(b) Section
4(1)(b) is reserved for "only those economic activities in
regard to which no defence should be tolerated"
(See
Competition
Commission v South African Breweries
[7]
).
(c) The facts show that the
settlement agreement was not such a contravention.
[24]
For
reasons that will become apparent, we consider the third defence
first; namely, whether Ster-Kinekor implemented the settlement

agreement.
Evidence
regarding the Implementation of the Settlement Agreement
[25]
Glen
Clack, who was employed by Nu Metro during the period 1993 to 2001,
first as Operations Director and from 1996 as Managing
Director,
testified on behalf of the Commission. His evidence was that in early
1998, he and other representatives of Nu Metro
attended the
settlement negotiations between the old Ster-Kinekor and Nu Metro. He
stated that Peter Hall, the Chief Executive
Officer of the old
Ster-Kinekor, and Rob Collins, the head of the old Ster-Kinekor
Distribution, attended the negotiations and
that representatives of
the Landlord were not present. According to Mr Clack, the
negotiations concerned the basis and wording
upon which Nu Metro and
Ster-Kinekor would distinguish between non-commercial or art films
and commercial films, a distinction
that is not easy to delineate.
According to the Commission, the agreed distinction constituted the
agreement that regulated the
division of markets.
[26]
Mr
Clack stated in his evidence-in-chief that until his departure from
Nu Metro in 2001, Ster-Kinekor fully complied with the settlement

agreement. However, under cross-examination, he conceded that while
at Nu Metro, he did not personally monitor Ster-Kinekor's compliance

with the settlement agreement. Therefore, he had no personal
knowledge that Ster-Kinekor complied.
[27]
Mr
Clack also conceded that one could not infer that Ster-Kinekor
adhered to the settlement agreement merely because it screened
art
films at the V&A. He also accepted that the agreement about
dividing the market between art and commercial films was easy
to
conclude, as both Nu Metro and Ster-Kinekor got what they wanted and
intended - Ster-Kinekor got to show art films and Nu Metro
commercial
films. This was because from the outset and before the settlement
agreement was concluded, Ster-Kinekor's business strategy,
which was
based on its art nouveau business model, was to screen only art films
at the V&A. (According to Ster-Kinekor's witnesses,

Ster-Kinekor's branding at the V&A was consistent with this
business strategy and model.)
[28]
Fiaz
Mohammed, who was the CEO of Ster-Kinekor Theatres, a division of new
Primedia, testified that he worked at Ster-Kinekor theatres
as Chief
Operating Officer from 2006. He stated that he only became aware of
the settlement agreement in 2009 when the Commission
initiated its
complaint. Mr Mohammed also testified that the type of films
Ster-Kinekor showcased at the V&A were in line with
its art
nouveau business model. In addition, he testified that upon knowledge
of the settlement agreement, Ster-Kinekor approached
Nu Metro to try
and have the court order abandoned, to which Nu Metro refused.
[29]
Mark
Harris, who was Nu Metro's Product Manager from July 2002 and its
Content and Marketing Executive since November 2008, also
testified
on behalf of the Commission.
[30]
Mr
Harris was not involved in the litigation between Nu Metro,
Ster-Kinekor and the V&A's Landlord in the late 1990's. However,

he stated during his evidence­ in-chief that he was responsible
for monitoring the implementation of the settlement agreement,
which
he performed from when he became Project Manager of Nu Metro until
2009. Mr Harris also testified that when he became Project
Manager,
his predecessor handed him a copy of the settlement agreement and
took him through the terms of the settlement agreement
and what it
entailed. He claimed that if he discovered that Ster-Kinekor was in
breach, he would alert the relevant personnel at
Ster-Kinekor
distributions and that he successfully invoked and enforced the
settlement agreement against Ster­ Kinekor on
multiple occasions.
However, in cross-examination, he conceded that he only ever made one
attempt at enforcing the settlement agreement.
This was his attempt
in December 2008.
[31]
Mr
Harris testified that in December 2008, he informed Ster-Kinekor
Distribution that it should allocate four films
(Burn
After Reading, The Dutchess, Doubt
and
Rachel Getting Married)
to
the V&A Nu Metro and not the V&A Ster-Kinekor because the
films fell within the commercial and not the art category as
defined
in the settlement agreement. He threatened to invoke the settlement
agreement and complain to the Landlord.
[32]
Isabel
Rao, who has been with Ster-Kinekor Distribution since 1988 and has
been its CEO since 2000, testified that Ster-Kinekor
never
implemented the settlement agreement. She stated that she did not
even know about its existence until Mr Harris drew her
attention to
it in December 2008. This was corroborated by Nicolette Scheepers,
presently a Sales Executive at Ster-Kinekor Distribution,
but who has
been with Ster-Kinekor from 1997. This evidence was consistent with
her email correspondence with Mr Harris in December
2000. In that
correspondence, Ms Scheepers asked Mr Harris for a copy of the
agreement, as she knew nothing about it.
[33]
Following
their interactions, Ms Rao and Ms Scheepers agreed to allow Nu Metro
to screen the films at the V&A. However, they
also allowed
Ster-Kinekor to screen them at the V&A. This was contrary to the
settlement agreement.
[34]
Ms
Scheepers and Ms Rao also testified that when carrying out their
duties at Ster-Kinekor, their decisions were always influenced
by
what would be financially viable for the company, based on historical
data and comparative tittles.
[35]
Ms
Rao produced a list of the films distributed by Ster-Kinekor
Distribution and screened by both Ster-Kinekor and Nu Metro at the

V&A from 1998 to 2013.
[8]
These films were, by definition, screened in breach of the settlement
agreement.
[36]
In
addition, Ms Rao testified that Ster-Kinekor also screened many other
"cross­ over" films
[9]
at the V&A that fell outside the permissible limits contained in
the settlement agreement. Her testimony was for the period
up to the
end of 2001, but she stated that the number only increased in the
remaining years.
Did
Ster-Kinekor Implement the Settlement Agreement?
[37]
The
Commission submitted that the examples where Ster-Kinekor did not
implement the settlement agreement were examples of cheating,
which
is common in cartel cases, and did not show that Ster-Kinekor did not
implement the settlement agreement.
[38]
Even
if this were so, which is difficult to accept in light of the number
of breaches that went unchallenged by Nu Metro despite
Mr Harris'
claim that he monitored the settlement agreement's implementation,
the Commission faces two problems arising from its
witness' own
evidence.
[39]
The
first is the Ster-Kinekor's exhibition of art films at the V&A
could plausibly have been as a result of the implementation
of
Ster-Kinekor's business strategy and model and not the settlement
agreement. That Ster-Kinekor may have, in general, shown art
films,
does not necessarily mean that it implemented the settlement
agreement. As counsel for Ster-Kinekor pointed out, the fallacy
of
such an argument is well illustrated by a story our courts have
retold about the Parisian cripple suspected of being a German
spy in
disguise: "(T)hat he [i.e. the Parisian cripple] habitually
speaks French and limps on two sticks matters not at all:
that he was
once heard speaking fluent German and was seen to run may well be
conclusive."
[10]
[40]
Furthermore,
according to Mr Harris' concession during cross-examination (which
alarmingly contradicted his evidence-in-chief),
Nu Metro tried to
invoke the settlement agreement only once. In addition, there is the
uncontested evidence of Ster-Kinekor's witnesses
was to the effect
that when Nu Metro attempted to invoke the settlement agreement,
Ster-Kinekor employees involved in the interaction
with Mr Harris did
not know about the settlement agreement, did not implement it and had
not implemented it before.
Conclusion
[41]
The settlement agreement was concluded
before the Competition Act came into operation. Therefore, there can
only be a contravention
of section 4(1)(b)(ii) if there were actions
or discussions between the parties directed at implementing the
agreement after the
Competition Act came into force. (See
Netstar
(Pty) v Competition Commission
[11]
with regard to the meaning of
"agreement" in section 4.)
[42]
The Commission submitted that although
the settlement agreement was concluded before the commencement of the
Competition Act, there
was continuing conduct regarding the
implementation of the agreement after the Competition Act came into
force. However, this was
not borne out by the facts. Therefore,
Ster-Kinekor did not contravene section 4(1)(b)(ii) of the
Competition Act.
[43]
In light of this finding, it would be an
academic exercise to consider whether section 4(1)(b)(ii) is legally
applicable in this
matter because, even if it is, there is
insufficient evidence that it was contravened. Similarly, it is not
necessary to deal with
Ster-Kinekor's other defence that no relief
could be granted against new Primedia because it had not contravened
section 4(1)(b)(ii),
even if its predecessors had.
ORDER
1.
The Commission's complaint
referral under case number CR191Mar12 is dismissed.
2.
There is no order as to costs.
Mr
Anton Roskam
Mr
Enver Daniels and Prof. lmraan Valodia concurring
5 February 2018
Tribunal
Researcher:                          Caroline

Sserufusa
For
the Commission:                          B

Majenge, M Swart and N Pakade
For
Primedia:                                      W

Trengove SC and C Steinberg instructed by
Bowmans
[1]
At present, Ster-Kinekor Theatres is a division of Primedia (Pty)
Ltd.
[2]
The Nu Metro Cinemas business was previously owned by Nu Metro
Entertainment (Pty) Ltd. At present, it is a division of Avusa
Ltd.
[3]
At the time, Transnet Ltd owned the V&A. In 1994, it was sold to
the Transnet Pension Fund. The rights, title and interest
under Nu
Metro's lease agreement were transferred to the Transnet Pension
Fund. As nothing turns on the identity of the owner
of the V&A,
for convenience, we refer to the successive owners of the V&A as
"the Landlord".
[4]
Section 4 of the Competition Act commenced on 1 September 1999.
[5]
Section 65(1) of the Act stipulates as follows; "Nothing in
this Act renders void a provision of an agreement that, in terms
of
this Act, is prohibited or may be declared void, unless the
Competition Tribunal or Competition Appeal Court declares that

provision to be void."
[6]
Amongst others, the Commission cited in support of this submission:
Hoechst v Commission
(T- 161/05) [2009) E.C.R,
Enichem v
Commission
(T-6/89) [1991) E.C.R. ll-1694,
Competition
Commission v Delatoy Investments (Pty) Ltd and others
(CR212Feb15).
[7]
Case No. 129/CAC/Apr14 at para 44.
[8]
The list did not itemise the only films Ster-Kinekor screened at the
V&A in breach of the settlement agreement, but only
those
screened by both cinema houses
[9]
These are films that the industry considers art films, but that
generate revenue similar to mainstream commercial films. i.e.
the
industry considers them art films, but they fall within the
definition of commercial films contained in the settlement

agreement.
[10]
Afrisure
CC
and another v Watson NO and another2009
(2)
SA 127 (SCA) at para 28 quoting
Lawson
&
Kirk v South
African Discount and Acceptance Corporation (Pty) Ltd
1938 CPD
273
CPD at 282.
[11]
97/CAC/May10 at para 25.